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FEB 6/7: MISERERE: Music from the Sistine Chapel

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Program Info

​This program offers a glimpse into the sound world of the Sistine Chapel through four composers whose music shaped its tradition for generations: Palestrina, Lassus, Victoria, and Allegri. It features two movements from Palestrina’s Missa Papae Marcelli — a mass that, according to legend, single-handedly saved polyphony from being banned by the Church. The centerpiece of the program is Allegri's Miserere, performed in The Sixteen's "Evolutions" edition — tracing the piece from its original framework through Renaissance-style embellishment — alongside a modern response to the same text by British composer Alexander Campkin.

Running Time

1 hour, 30 minutes, includes intermission

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Doors Open

30 minutes prior to performance

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For questions regarding concert tickets, please email info@byrdensemble.com

Dates & Tickets

SATURDAY, FEB 6, 2027

1:00 PM

Holy Rosary Catholic Church - 4139 42nd Ave SW

Seattle, WA

SUNDAY, FEB 7, 2027

5:00 PM

St. Mary the Virgin - 2325 Union St

San Francisco, CA

SATURDAY, FEB 20, 2027

Viewable through MARCH 20, 2027

Virtual Concert Video (link will be emailed when ready)

Online​

Program

Giovanni Pierluigi da PALESTRINA: Tu es Petrus 
PALESTRINA: Tribulationes civitatum
Orlande de LASSUS: Timor et tremor
LASSUS: Laudate Dominum omnes gentes a12 
Tomás Luis de VICTORIA: Ave Maria a8 
PALESTRINA: "Gloria" from Missa Papae Marcelli

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Gregorio ALLEGRI: Miserere (Evolutions)
Alexander CAMPKIN: Miserere
VICTORIA: Judas mercator pessimus
PALESTRINA: "Credo" from Missa Papae Marcelli
 

Artists

​The Byrd Ensemble

directed by Markdavin Obenza​​​

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Soprano
Margaret Obenza

Ruth Schauble

Sophia Nash

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Alto

Sarra S. Doyle

Joshua Haberman 

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Tenor

Orrin Doyle

Sam Faustine

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Bass

Clayton Moser

Willimark Obenza

Matthew Peterson

THE BYRD ENSEMBLE

4722 Fauntleroy Way SW #123

Seattle, WA 98116 

info@byrdensemble.com

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This project was supported, in part, by 4Culture/King County Lodging Tax
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This program is supported, in part, by a grant from the Washington State Arts Commission.
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